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    • Acoustic Guitar
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theory

Structuring Vocals // Part One: Oblique Harmony

Most capable singers who are at least familiar with harmony are quite capable of finding the 3rd (Major third off the melody line). The problem, however, arises when they stick TOO closely to the 3rd – or what’s called a “parallel (3rd) harmony”. Parallel harmonies (3rd’s) that never stray from the 3rd can REALLY mess …

Structuring Vocals // Part One: Oblique HarmonyRead More

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